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The Great Black North: Obfuscations of Academia

A Year ago Frontenac House published THE GREAT BLACK NORTH: Contemporary African Canadian Poetry.

The compilation was so well received that Frontenac House has published a School Edition. The book is already being used extensively throughout Nova Scotia. This is my contribution.

Obfuscations of Academia
By N Oji Mzilikazi

 

Copyright © 2013 by N Oji Mzilikazi, All Rights Reserved

Originally published in:

THE GREAT BLACK NORTH: Contemporary African Canadian Poetry Frontenac House 2013
ISBN 978-1-897181-83-6

 

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Drunk, I wasn’t Drinking (Poetry for the Strong Hearted)

Is an unpublished compilation of poems with a proactive stance and no holds barred attitude to the ongoing hydra-headed and elephantine social crisis: economic uncertainty, heightened anxiety, frayed nerves, disenchantment, resentment, anger, hate mongering and political timidity. It’s a call to fearlessness, sparking a fire under comfortable and complacent butts.

Foreword

We live in a time and culture of anti-intellectualism, moral laxity, declining civility, social indiscipline, where aggressiveness, vulgarity, crudity and hyper-sexuality have been normalised, and one has to be either crazy or drunk to openly speak truthfully on things.

Everyone knows crazy. The mouthing of crazy is ignored or dismissed as illogical. Intoxicated persons are known to say and do all manner of foolish things. More often than not, their verbal outbursts, verbal assaults and embarrassing acts are excused as they being out of it – as being temporarily crazy, and so exempt from recriminations. At the same time, there are “smart folks” who have no qualms assuming intoxication to capitalise on the free pass wrought by drunkenness.

Let me assure you dear reader, I am not crazy, and rarely do I imbibe intoxicating brew.  “Drunk, I Wasn’t Drinking, (Poetry for the Strong Hearted)” was conceptualized and crafted with total mental clarity and disdain for the culture of correctness and political docility, and I make no apologies for anyone offended by its bluntness.

The stakes are just too high to be pussyfooting around issues given the rise of political, community, ethnic and religious misleaders who exploit the illiterate masses, appeal to our base instincts, fears, bigotry, racial and religious intolerance, the willful embrace, cultivation and spread of ignorance, the elevation of mediocrity, abandonment of vigilant parenting, mass migration of youths to gangs and incarceration, and the self-destructive culture of victimhood, self-oppressing and self-defeating behaviours.

Some Titles

Letters to the Editor
Viewer Discretion Advised
The Labyrinth of Mystification
Academic Treachery
Groundation For Contemplation
Nudity, Violence, Course Language
An Apology to Woman
Woe Unto Woman
Cultural Pornification
Beauty the Beast
Toxic Mix of Palliatives
The Concrete Jungle
Posturing For Profits
Rum Shop Politics
Papa Bois, The Midnight Robber
Words of (dis) Honour
Elegy For The Family
Gang-Gamily: the New Family
Arrogance in Ignorance
Smart Sentencing
The Pierrot Granade

 

Copyright © 2011 by N Oji  Mzilikazi, All Rights Reserved

 

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The Journey of a Soul (Liberation Through Poetry)

Is an unpublished compilation of poetry that though borders on the personal, is simultaneously an exploration of the human experience, delving into matters of the heart; love, sex, relationships, faith and spirituality, joy, hope, pain, frustrations and pain with the hope of fortifying, uplifting and inspiring.

Each person confronts life’s unveiling of the human experience: growth, the pursuit of love, intimate relationship, employment, wealth, status, joy, success, and the devastation wrought by the unexpected or circumstances beyond one’s control, failures, frustrations, pains and disappointments differently. In addition, a person’s moulding and center of being – their morals, values, character, integrity, and mental constitution oft determine how they fare in the face of challenges, adversity, temptations, social pressure, and navigating life’s highs and lows.

Weaned on racial pride, integrity, honour, social consciousness, environmental awareness, self-defence, revolutionary philosophy, pan-Africanism, articulating and languaging voice, race and class issues, poetry saved my life on many occasions. Putting pen to paper allowed me to diffuse mountains of frustrations and anger from the continual psychological defacement, systemic and deliberate economic, educational, cultural and social inequities, injustice and discrimination wroth by racism, and refraining from the execution of dark deeds or seeking to blunt the pain by way of drugs or alcohol.

Writing allowed me to emerge with a little more strength, sanity, clarity, balance, patience, and rejuvenated to do battle. Furthermore, initiation and exposure to spiritual and religious philosophies profoundly affected the perspectives of my politics. I came to see revolutionary struggle as more than raging against the machine, but also striving for mastery over one’s mental and emotional self, as well as unifying or integrating the disparate elements of self. The infusion of spiritual awareness allowed both my politics and writings to breathe… 

The poems fall into the following categories:

The Obeah Chronicles
Love & Pain
Love Should Never Lie Trilogy
Canadia
Reflections In Water
Crab & Callaloo
Dancing In The Light
Revolution
Carnival In Nine Movements

 

Copyright © 2011 by N Oji  Mzilikazi, All Rights Reserved